Academic/Professional
activities :
|
|
Initiated
into Kathak as a child at the age of four by dancer-actor Sadhna
Bose at Calcutta, trained by the legendary maestro pt. Birju
Maharaj at Delhi, Shovana Narayan’s name, over the years,
has become synonymous with Kathak giving it new dimensions. A
thinking artiste, an imaginative choreographer a consummate master
of her art a believer in the traditional form of ‘Kathak
yet has expanded the horizons of Kathak influencing her contemporaries
too.
Her performances of Lucknow Gharana and the rhythmic precision of Jaipur
School also bear the stamp of a muid influenced by the culture of the
World yet keeping to the inherent tradition of Kathak, format of presentation
and purity of form. Her choreographic creations like ‘Moonlight
Impressionism’ to music of Ravel, Beathoven, Mozart and Debussy, ‘the
Dawn after with western classical ballet dancer Christian Rovnyand Spanish
Flamenco dancer Dario Arboleda, duets with American top dancer Janet
Goldberg and with Andrea campianu classical ballerina, and even within
the national framework her works like ‘Tridhara’, ‘Jago
Maheswara’, ‘Khajuraho’ with various Indian classical
styles, can be cited as some examples.
Some of her notable performances include:
Khajuraho Dance Festival (1992-93-2000), Modhare Sun Temple Dance Festival
(1993-98), Pune Festival (1993-98, 2000-01, 04), Khajuraho Millenium
Celebrations (1998), Osho Festival (1998), Pune Ganesh Festival (1998),
Kathak Mahautsov, Calcutta (2000), Gana Sabha, Chennai (2001), Konarak
Festival (2001), Uday Shankar Ballet Festival (2002), Kalakshetra Festival
(2003), Kalidas Festival (2004)ICCR Festival (2004), Dhanbad Mahautsov
(2005), Jayadeva Mahautsov (2005).
Shovana is the first dancer to work on philosophical themes and on the
lives of contemporary sages and savants such as Vivekananda, Ramana Maharshi,
Ramkrishna Paramhamsa and Mahatma Gandhi. Her works on the message of
Guru Gobind Singh, Mahavir Jain (attainment of ‘Siddhi’),
on Buddhist Chants, Gregorian Chants, Lebanese philosophers Kahlil Gibran
and Mikhail Naimy, and on 13 women saint poets and an classical and contemporary
Sanskrit, Hindi, Urdu Persian and Bengali poets, are remarkable, on social
causes, issues of women and on religious themes, Shovana has produced
a number of works which include: ‘Mujhko bi Jeene Do’ (on
the girl child), “ Shanka-Lobh-Mamta (vulnerability of women and
attitude of men), Divine experience of a prostitute, ‘Shakuntala’on
child rape, ‘Gitopdesh’ (Bhagvatgita) ‘sur-ke-Krishna’, ‘Pranotkarsha’ (life
and teachings of Lord ‘Buddha’). Shovana’s awareness
deep concern and involvement with the world around her is evinced in
her works on Kargil war (1999), World Trade Tower Ghastly Tragedy (2001),
Tsunami disaster (2005).
She is the first dancer to be dancing to the texts, rendered in English
(Yudhistar and Draupadi’ – Pavan Verma’s poem).
Shovana has given performances before heads of state, high dignitary
Indian guests and very very important personages. Her international performances
include: Festival of Arts of India, Paris (1973), Sanskritik Festival
of Arts of India, UK (1976, 78,86), Selzburg Lands Theatre, Austria (1987),
International Festivals in South East Asia, ‘South Asia, Middle
East, African continent, Europe, Central Asia.
Shovana’s talents does not end in the medium of dance alone. She
has contributed to other media, including films like ‘Akbar’s
Bridge’ (Hindi) and ‘Das Geheiminis des Indisches Tanz’ (German),
opera like ‘Ghalib ki Dilli’ and ‘Wicchave pani’ as
well as research works on the development of dance. A multi-faceted,
dynamic eminent dancer and personality, Shovana has been on the governing
bodies of prestigious colleges of Delhi, and various committees and societies
relating to fields of arts. She is also a visiting lecturer, theatre
wissenscheft, Vienna University.
|